La Schiavona
Portrait of a Lady | |
---|---|
Italian: La Schiavona | |
Artist | Titian |
Year | 1510–12[1] |
Medium | Oil on canvas |
Dimensions | 119.4 cm × 96.5 cm (47.0 in × 38.0 in) |
Location | National Gallery, London |
La Schiavona ('the woman from Dalmatia'), also known as Portrait of a Lady, is a 1510–1512 portrait by Titian of an unknown woman.
Identity of the sitter
The painting was being referred to as La Schiavona before the beginning of the seventeenth century. However, this name is traditional, given to the painting by someone in recognition of the style of her dress and her physiognomy. In reality, the lady portrayed would have been part of the nobility of the time, with a costume compatible with that of the wealthy women of the territories controlled by the Republic of Venice. Some people have tried to identify the woman as Catherine Cornaro, a hypothesis without any confirmation. Previously assigned to Giorgione, the painting is today commonly accepted as a youthful masterpiece by Titian; further evidence is provided by the absence of the modulated sweetness of the painter from Castelfranco Veneto, replaced rather by a pulsating vitality. There are also close similarities with the woman protagonist of the Miracolo del neonato, a Paduan fresco by Titian dating back to 1511.
Description
The subject is shown three-quarter length against a plain grey background. Her curvaceous form is portrayed with exceptional realism and accuracy, and is accentuated by the wide drapery of her earth-coloured dress. The body is rotated slightly, while the head looks frontally at the viewer, in a pose of remarkable naturalness and ease. What appears to be the same woman is seen in relief (inspired by ancient cameos) on a raised section of the parapet. The lower part of the parapet is original, though the raised section appears to be a revision by Titian himself, with the drapery painted under it still being visible through subsequent layers of paint. The painting is signed TV on the parapet, which probably stands for Tiziano Vecellio.[1]
History
The portrait was presented to the National Gallery in London in 1942 by Sir Francis Cook, Bt, in memory of his father Herbert, via the Art Fund – it is still in the Gallery's collection, as NG5385.[1]
From October 2009 to January 2010, La Schiavona was loaned to the Henry Moore Institute in Leeds to be shown as part of an exhibition called "Sculpture in Painting".[2]
See also
References
- ^ a b c "Key facts". Portrait of a Lady ('La Schiavona'). National Gallery. Archived from the original on 6 January 2013. Retrieved 28 November 2012.
- ^ "Sculpture in Painting". Institute exhibition. Henry Moore Foundation. 8 October 2009. Archived from the original on 4 March 2016. Retrieved 28 November 2012.
Bibliography
- Francesco Valcanover, L'opera completa di Tiziano, Rizzoli, Milano 1969.
External links
- Catalog nr. 536 in Herbert Cook's collection catalog, 1913, on archive.org
- High definition image on Google art
- National Gallery website
- v
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- Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1503–1506)
- A Man with a Quilted Sleeve (c. 1509)
- La Schiavona (1510–1512)
- A Man
- New York, c. 1512)
- (Indianapolis, c. 1515
- Shepherd with a Flute (c. 1510–1515)
- A Man in a Red Cap (c. 1510–1515)
- A Sick Man (1515)
- Jacopo Sannazaro (c. 1514–1518)
- Gian Giacomo Bartolotti da Parma (c. 1515)
- A Knight of Malta (c. 1515)
- Vincenzo Mosti (c. 1520)
- Young Woman in a Black Dress (c. 1520)
- Man with a Glove (c. 1520)
- Laura Dianti (c. 1520–1525)
- Alfonso I d'Este (1523)
- A Lady (c. 1525–1565)
- Federico II Gonzaga (c. 1529)
- Giacomo di Andrea Dolfin (c. 1531–1532)
- Alfonso d'Avalos with a Page (1533)
- Charles V with a Dog (1533)
- Ippolito de' Medici (1532–1533)
- Giacomo Doria (1533–1535)
- Charles V (1533–1535)
- Isabella d'Este (1534–1536)
- La Bella (1536)
- Girl in a Fur (1536–1538)
- Count Antonio Porcia and Brugnera (c. 1535–1540)
- A Man with a Falcon (c. 1537)
- Eleonora Gonzaga della Rovere (1538)
- Francesco Maria della Rovere (1538)
- Cardinal Pietro Bembo (1539–1540)
- Benedetto Varchi (c. 1540)
- Pope Sixtus IV (c. 1540)
- A Young Englishman (1540–1545)
- Ranuccio Farnese (c. 1542)
- Clarissa Strozzi (1542)
- The Vendramin Family (1543–1547)
- Pietro Aretino (1545)
- Lavinia Vecellio (c. 1545)
- Pope Paul III (1545–1546)
- Pope Paul III Wearing a Camauro (1545–1546)
- Pope Paul III and His Grandsons (1545–1546)
- Cardinal Alessandro Farnese (c. 1545–1546)
- Pier Luigi Farnese (1546)
- Andrea Gritti (c. 1546–1550)
- Charles V (on horseback) (1548)
- Charles V (seated) (1548)
- Isabella of Portugal (1548)
- John Frederick I, Elector of Saxony (c. 1550–1551)
- A General (c. 1550)
- Philip II in Armour (1551)
- Cardinal Cristoforo Madruzzo (1552)
- Philip II (1554)
- Woman Holding an Apple (c. 1550–1555)
- Christina of Denmark (1555–1556)
- Girl with a Platter of Fruit (c. 1555–1558)
- Fabrizio Salvaresio (1558)
- An Unknown Lady (c. 1550–1560 – also attributed to Titian's workshop)
- Jacopo Strada (1567–1568)
- A Lady in White (c. 1561)
- Self-Portrait (1546–1547)
- Self-Portrait (c. 1560)
- Detroit Trio (c. 1500 – also attributed to Giorgione and others)
- The Birth of Adonis (c. 1506–1508)
- The Legend of Polydoros (c. 1506–1508)
- Justice (c. 1508)
- Pastoral Concert (c. 1509 – also attributed to Giorgione)
- Dresden Venus (with Giorgione, c. 1510)
- The Lovers (c. 1510 – attributed)
- The Three Ages of Man (c. 1512–1514)
- Sacred and Profane Love (c. 1514)
- The Feast of the Gods (1514)
- Venus and Cupid (1510–1515)
- Lucretia and her Husband (1515)
- The Bravo (c. 1515)
- Flora (c. 1515)
- Vanity (c. 1515)
- Violante (c. 1515)
- Woman with a Mirror (c. 1515)
- The Worship of Venus (1518–19)
- Venus Anadyomene (c. 1520)
- Bacchus and Ariadne (1520–1523)
- The Bacchanal of the Andrians (1523–1526)
- Allegory of Marriage (c. 1530–1535)
- Eleven Caesars (1536–1540)
- Venus of Urbino (1538)
- Alfonso d'Avalos Addressing his Troops (1540)
- Venus and Musician (several versions, 1540s–1570s)
- Tityus (1549)
- Sisyphus (1549)
- Danaë (several versions; 1543–1565)
- Venus and Adonis (several versions)
- Mars, Venus and Amor (c. 1550)
- Pardo Venus (1551)
- Venus with a Mirror (1555)
- Perseus and Andromeda (1554–1556)
- Diana and Actaeon (1556–1559)
- Diana and Callisto (1556–1559)
- The Death of Actaeon (c. 1559–1575)
- The Rape of Europa (c. 1560–1562)
- The Concert (c. 1543–1564)
- Venus Blindfolding Cupid (c. 1565)
- Allegory of Prudence (c. 1565–1570)
- Nymph and Shepherd (c. 1570)
- Tarquin and Lucretia (comp. 1571)
- Flaying of Marsyas (1570–1576)
- Christ Carrying the Cross (c. 1505 – also attributed to Giorgione)
- Bache Madonna (c. 1508)
- Flight into Egypt (c. 1508)
- Lochis Madonna (1508–1510)
- St. Mark Enthroned (c. 1510)
- The Gypsy Madonna (c. 1510)
- Holy Family with a Shepherd (c. 1510)
- Christ and the Adulteress
- Glasgow, c. 1510)
- (Vienna, c. 1520
- Madonna and Child with St Anthony of Padua and St Roch (c. 1511)
- The Resurrected Christ (c. 1511–12)
- Bapitsm of Christ (c. 1512)
- Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice (c. 1510–1525)
- Miracle of the Jealous Husband (1511)
- Rest on the Flight into Egypt (c. 1512)
- Balbi Holy Conversation (c. 1513)
- Noli me tangere (c. 1514)
- The Archangel Raphael and Tobias (c. 1512–1514; c. 1540–1545)
- Salome
- Rome, c. 1515)
- (Madrid, c. 1550)
- (Private, c. 1570
- Madonna of the Cherries (1515)
- The Tribute Money (c. 1516)
- Assumption of the Virgin (1516–1518)
- The Virgin and Child with Saint George and Saint Dorothy (1516–1518)
- Virgin and Child with Saint John the Baptist and an Unidentified Saint (c. 1515–1520)
- Madonna and Child with Four Saints (c. 1516–1520)
- Pesaro Madonna (1519–1526)
- Madonna and Child with Three Saints (c. 1519)
- Gozzi Altarpiece (1520)
- Mary with Child and Saints Stephen, Jerome and Mauritius (c. 1520)
- Malchiostro Annunciation (c. 1520)
- The Entombment of Christ (c. 1520)
- Averoldi Polyptych (1520–1522)
- Saint Francis Receiving the Stigmata (1525)
- The Assassination of Saint Peter Martyr (1529)
- Aldobrandini Madonna (1530)
- Madonna of the Rabbit (1530)
- Madonna of the Roses (c. 1530)
- Penitent Magdalene (1531)
- Saint Jerome in Penitence (1531)
- Pilgrims at Emmaus (c. 1533–1534)
- Supper at Emmaus (c. 1534; c. 1545)
- The Presentation of the Virgin at the Temple (1534–1538)
- Saint John the Baptist (1540)
- Sciarra Madonna (c. 1540)
- The Crowning with Thorns (1542–43)
- Ecce Homo
- Vienna, 1543
- David and Goliath (c. 1542–1544)
- Abraham and Isaac (c. 1543–1544)
- Cain and Abel (c. 1543–1545)
- Serravalle Altarpiece (1548)
- Castello Roganzuolo Altarpiece (1549)
- The Fall of Man (c. 1550)
- Penitent Magdalene (c. 1550)
- Saint Jerome in Penitence (1552)
- The Martyrdom of Saint Lawrence (c. 1548–1559)
- La Gloria (1554)
- Christ Appearing to his Mother after his Resurrection (1554)
- Mater Dolorosa (c. 1555)
- Saint Jerome in Penitence (1575)
- Crucifixion (1558)
- The Entombment (1559)
- St Margaret and the Dragon (c. 1559)
- Annunciation (1559–1564)
- Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560)
- Penitent Magdalene (1565)
- Saint Dominic (c. 1565)
- Judith with the Head of Holofernes (c. 1570)
- Religion saved by Spain (1572–1575)
- Saint Sebastian (c. 1575)
- The Crowning with Thorns (1576)
- Pietà (1576)