Portrait of Cardinal Pietro Bembo
Portrait of Cardinal Pietro Bembo is a 1539–1540 oil on canvas painting of by Titian, now in the National Gallery of Art in Washington, D.C.
History
The arm's position parallel to the frame and to the edge of the cape gives volume to the figure, making it akin to a sculptural bust from ancient Rome or by Titian's contemporary Alessandro Vittoria. It is believed that Bembo himself commissioned the work in October 1539, before his transfer from Rome to Venice. The commission was probably to mark his appointment as cardinal in March 1539. The work is also probably that mentioned by the cardinal in a letter of May 1540. Titian had already painted Bembo on at least one occasion in Portrait of Pietro Bembo as an Old Man.[1]
The painting was given to Leone Galli and was recorded in Rome in 1636 as part of cardinal Antonio Barberini's collection. It later passed to Pope Urban VIII and remained in family collections in Rome until 1890 when the art dealer Elia Volpi handled its acquisition for P. & D. Colnaghi & Co. In 1906 it was acquired by Charles M. Schwab of New York, passing to the Kress collection in 1942 and being acquired by its present owner in 1952.[2]
See also
Links
- https://www.nga.gov/collection/art-object-page.41638.html
References
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- Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1503–1506)
- A Man with a Quilted Sleeve (c. 1509)
- La Schiavona (1510–1512)
- A Man
- New York, c. 1512)
- (Indianapolis, c. 1515
- Shepherd with a Flute (c. 1510–1515)
- A Man in a Red Cap (c. 1510–1515)
- A Sick Man (1515)
- Jacopo Sannazaro (c. 1514–1518)
- Gian Giacomo Bartolotti da Parma (c. 1515)
- A Knight of Malta (c. 1515)
- Vincenzo Mosti (c. 1520)
- Young Woman in a Black Dress (c. 1520)
- Man with a Glove (c. 1520)
- Laura Dianti (c. 1520–1525)
- Alfonso I d'Este (1523)
- A Lady (c. 1525–1565)
- Federico II Gonzaga (c. 1529)
- Giacomo di Andrea Dolfin (c. 1531–1532)
- Alfonso d'Avalos with a Page (1533)
- Charles V with a Dog (1533)
- Ippolito de' Medici (1532–1533)
- Giacomo Doria (1533–1535)
- Charles V (1533–1535)
- Isabella d'Este (1534–1536)
- La Bella (1536)
- Girl in a Fur (1536–1538)
- Count Antonio Porcia and Brugnera (c. 1535–1540)
- A Man with a Falcon (c. 1537)
- Eleonora Gonzaga della Rovere (1538)
- Francesco Maria della Rovere (1538)
- Cardinal Pietro Bembo (1539–1540)
- Benedetto Varchi (c. 1540)
- Pope Sixtus IV (c. 1540)
- A Young Englishman (1540–1545)
- Ranuccio Farnese (c. 1542)
- Clarissa Strozzi (1542)
- The Vendramin Family (1543–1547)
- Pietro Aretino (1545)
- Lavinia Vecellio (c. 1545)
- Pope Paul III (1545–1546)
- Pope Paul III Wearing a Camauro (1545–1546)
- Pope Paul III and His Grandsons (1545–1546)
- Cardinal Alessandro Farnese (c. 1545–1546)
- Pier Luigi Farnese (1546)
- Andrea Gritti (c. 1546–1550)
- Charles V (on horseback) (1548)
- Charles V (seated) (1548)
- Isabella of Portugal (1548)
- John Frederick I, Elector of Saxony (c. 1550–1551)
- A General (c. 1550)
- Philip II in Armour (1551)
- Cardinal Cristoforo Madruzzo (1552)
- Philip II (1554)
- Woman Holding an Apple (c. 1550–1555)
- Christina of Denmark (1555–1556)
- Girl with a Platter of Fruit (c. 1555–1558)
- Fabrizio Salvaresio (1558)
- An Unknown Lady (c. 1550–1560 – also attributed to Titian's workshop)
- Jacopo Strada (1567–1568)
- A Lady in White (c. 1561)
- Self-Portrait (1546–1547)
- Self-Portrait (c. 1560)
- Detroit Trio (c. 1500 – also attributed to Giorgione and others)
- The Birth of Adonis (c. 1506–1508)
- The Legend of Polydoros (c. 1506–1508)
- Justice (c. 1508)
- Pastoral Concert (c. 1509 – also attributed to Giorgione)
- Dresden Venus (with Giorgione, c. 1510)
- The Lovers (c. 1510 – attributed)
- The Three Ages of Man (c. 1512–1514)
- Sacred and Profane Love (c. 1514)
- The Feast of the Gods (1514)
- Venus and Cupid (1510–1515)
- Lucretia and her Husband (1515)
- The Bravo (c. 1515)
- Flora (c. 1515)
- Vanity (c. 1515)
- Violante (c. 1515)
- Woman with a Mirror (c. 1515)
- The Worship of Venus (1518–19)
- Venus Anadyomene (c. 1520)
- Bacchus and Ariadne (1520–1523)
- The Bacchanal of the Andrians (1523–1526)
- Allegory of Marriage (c. 1530–1535)
- Eleven Caesars (1536–1540)
- Venus of Urbino (1538)
- Alfonso d'Avalos Addressing his Troops (1540)
- Venus and Musician (several versions, 1540s–1570s)
- Tityus (1549)
- Sisyphus (1549)
- Danaë (several versions; 1543–1565)
- Venus and Adonis (several versions)
- Mars, Venus and Amor (c. 1550)
- Pardo Venus (1551)
- Venus with a Mirror (1555)
- Perseus and Andromeda (1554–1556)
- Diana and Actaeon (1556–1559)
- Diana and Callisto (1556–1559)
- The Death of Actaeon (c. 1559–1575)
- The Rape of Europa (c. 1560–1562)
- The Concert (c. 1543–1564)
- Venus Blindfolding Cupid (c. 1565)
- Allegory of Prudence (c. 1565–1570)
- Nymph and Shepherd (c. 1570)
- Tarquin and Lucretia (comp. 1571)
- Flaying of Marsyas (1570–1576)
- Christ Carrying the Cross (c. 1505 – also attributed to Giorgione)
- Bache Madonna (c. 1508)
- Flight into Egypt (c. 1508)
- Lochis Madonna (1508–1510)
- St. Mark Enthroned (c. 1510)
- The Gypsy Madonna (c. 1510)
- Holy Family with a Shepherd (c. 1510)
- Christ and the Adulteress
- Glasgow, c. 1510)
- (Vienna, c. 1520
- Madonna and Child with St Anthony of Padua and St Roch (c. 1511)
- The Resurrected Christ (c. 1511–12)
- Bapitsm of Christ (c. 1512)
- Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice (c. 1510–1525)
- Miracle of the Jealous Husband (1511)
- Rest on the Flight into Egypt (c. 1512)
- Balbi Holy Conversation (c. 1513)
- Noli me tangere (c. 1514)
- The Archangel Raphael and Tobias (c. 1512–1514; c. 1540–1545)
- Salome
- Rome, c. 1515)
- (Madrid, c. 1550)
- (Private, c. 1570
- Madonna of the Cherries (1515)
- The Tribute Money (c. 1516)
- Assumption of the Virgin (1516–1518)
- The Virgin and Child with Saint George and Saint Dorothy (1516–1518)
- Virgin and Child with Saint John the Baptist and an Unidentified Saint (c. 1515–1520)
- Madonna and Child with Four Saints (c. 1516–1520)
- Pesaro Madonna (1519–1526)
- Madonna and Child with Three Saints (c. 1519)
- Gozzi Altarpiece (1520)
- Mary with Child and Saints Stephen, Jerome and Mauritius (c. 1520)
- Malchiostro Annunciation (c. 1520)
- The Entombment of Christ (c. 1520)
- Averoldi Polyptych (1520–1522)
- Saint Francis Receiving the Stigmata (1525)
- The Assassination of Saint Peter Martyr (1529)
- Aldobrandini Madonna (1530)
- Madonna of the Rabbit (1530)
- Madonna of the Roses (c. 1530)
- Penitent Magdalene (1531)
- Saint Jerome in Penitence (1531)
- Pilgrims at Emmaus (c. 1533–1534)
- Supper at Emmaus (c. 1534; c. 1545)
- The Presentation of the Virgin at the Temple (1534–1538)
- Saint John the Baptist (1540)
- Sciarra Madonna (c. 1540)
- The Crowning with Thorns (1542–43)
- Ecce Homo
- Vienna, 1543
- David and Goliath (c. 1542–1544)
- Abraham and Isaac (c. 1543–1544)
- Cain and Abel (c. 1543–1545)
- Serravalle Altarpiece (1548)
- Castello Roganzuolo Altarpiece (1549)
- The Fall of Man (c. 1550)
- Penitent Magdalene (c. 1550)
- Saint Jerome in Penitence (1552)
- The Martyrdom of Saint Lawrence (c. 1548–1559)
- La Gloria (1554)
- Christ Appearing to his Mother after his Resurrection (1554)
- Mater Dolorosa (c. 1555)
- Saint Jerome in Penitence (1575)
- Crucifixion (1558)
- The Entombment (1559)
- St Margaret and the Dragon (c. 1559)
- Annunciation (1559–1564)
- Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560)
- Penitent Magdalene (1565)
- Saint Dominic (c. 1565)
- Judith with the Head of Holofernes (c. 1570)
- Religion saved by Spain (1572–1575)
- Saint Sebastian (c. 1575)
- The Crowning with Thorns (1576)
- Pietà (1576)
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