Vittorio Lavezzari
- View a machine-translated version of the Italian article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Vittorio Lavezzari]]; see its history for attribution.
- You may also add the template
{{Translated|it|Vittorio Lavezzari}}
to the talk page. - For more guidance, see Wikipedia:Translation.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/Vittorio_Lavezzari.jpg/206px-Vittorio_Lavezzari.jpg)
![Tomb of the Repetto couple (1897)](http://upload.wikimedia.org/wikipedia/commons/thumb/7/74/Tomba_coniugi_Repetto.jpg/188px-Tomba_coniugi_Repetto.jpg)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/58/Tomba_di_Giovanni_Fossati.jpg/183px-Tomba_di_Giovanni_Fossati.jpg)
Vittorio Lavezzari (1864–1938) was an Italian sculptor from the Art Nouveau period, specializing in funerary sculpture. His sculptures can mostly be seen in Genoa in the Monumental Cemetery of Staglieno.
Biography
Born in Genoa, he attended the Accademia Ligustica di Belle Arti in Genoa, where he was a student of Scanzi (he worked on the Carpaneto tomb), and later became a professor (in 1894 he was appointed academic of merit for the class of sculpture and was there until 1938, the year of his death). He completed his studies in Rome and then in Florence, where he stayed for a few years between 1880 and 1890.
Present at the Promotrice of Genovese since 1883 (exhibiting a portrait of Rossini), he oriented himself in these years in a realist direction with a progressive accentuation of social themes.
Among the works of this period are Povre babbo mio (1889), Pescatorino (1892) reproduced as a prize for the Promoter's competitions: a notable success was also presented at the World's Fair in Chicago in 1893.
At the end of the 1890s, his funeral production was intensified and assumed symbolist-liberty characteristics.
He participated in national and international exhibitions, received important awards, was present at exhibitions in Venice, Vienna, Munich, Paris, London, Chicago. His works are present in Russia, Brazil and Argentina.
He was part of the Genovese Artistic Family and was in a friendly relationship with the painters Andrea Figari, Guido Meineri, Lazzaro Luxardo Cesare Viazzi, Angelo Costa, Giuseppe Pennasilico, and the sculptors Pietro Albino and Lorenzo Orengo, with whom he shared the spirit of renewal that animated the art world between the late nineteenth and early twentieth centuries.[1]
His funeral production was copious; some works are visible at the Monumental Cemetery of Staglieno in Genoa.
References
- ^ Vincenzo Vicario. Gli scultori italiani dal Neoclassicismo al Liberty: L-Z. 1994, p. 602
- Content in this edit is translated from the existing Italian Wikipedia article at it:Vittorio Lavezzari; see its history for attribution.
- v
- t
- e