Susanne Rode-Breymann
Susanne Rode-Breymann (born 29 May 1958 in Hamburg) is a German musicologist, and from 2010 until March 2024 the president of the Hochschule für Musik, Theater und Medien in Hanover.[1]
Biography
Rode-Breymann studied early music and music education at the Hamburg Conservatory and musicology, art history and literature at the University of Hamburg and received her doctorate in 1988 with a thesis on Alban Berg and Karl Kraus. She was a researcher at the University of Bayreuth (1988 to 1992) and the University of Bonn (1992 to 1996), a research fellow of the Paul Sacher Foundation in Basel in 1989 researching Anton Webern etc.[2] From 1996 to 1999 she taught as a university lecturer at the Hochschule für Musik, Theater und Medien Hannover and was from 1999 to 2004 a professor of historical musicology at the Hochschule für Musik und Tanz Köln. She was appointed professor of historical musicology at the university in Hannover in October 2004,[2] serving as vice president from July 2006 to July 2008. In February 2010 she was elected president of the university.[3]
Rode-Breymann is editor and author of numerous publications in the fields of gender studies, music history, early modern, contemporary music and the music of the turn of the century.
References
- ^ Arndt, Stefan (29 June 2024). "Musikhochschule Hannover: Ministerium setzt Präsidium ab und Staatskommissar ein". Hannoversche Allgemeine (in German). Archived from the original on 29 June 2024. Retrieved 29 June 2024.
- ^ a b Hochschule für Musik und Theater Hannover (September 2007). Orte der Musik: kulturelles Handeln von Frauen in der Stadt. Böhlau Verlag Köln Weimar. p. 289. ISBN 978-3-412-20008-4. Retrieved 9 November 2011.
- ^ "Chronik der HMTMH / Hochschulgeschichte von 1897 bis heute" (in German). hmtm-hannover.de. 2011. Retrieved 9 November 2011.
External links
Literature by and about Susanne Rode-Breymann in the German National Library catalogue
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- Biomusicology
- Cognitive musicology
- Cognitive neuroscience of music
- Culture in music cognition
- Evolutionary musicology
- Psychoacoustics
- Absolute pitch
- Auditory illusion
- Auditory imagery
- Background music
- Consonance and dissonance
- Deutsch's scale illusion
- Earworm
- Embodied music cognition
- Entrainment
- Exercise and music
- Eye movement in music reading
- Franssen effect
- Generative theory of tonal music
- Glissando illusion
- Hedonic music consumption model
- Illusory continuity of tones
- Levitin effect
- Lipps–Meyer law
- Melodic expectation
- Melodic fission
- Mozart effect
- Music and emotion
- Music and movement
- Music in psychological operations
- Music preference
- Music-related memory
- Musical gesture
- Musical semantics
- Musical syntax
- Octave illusion
- Relative pitch
- Sharawadji effect
- Shepard tone
- Speech-to-song illusion
- Temporal dynamics of music and language
- Tonal memory
- Tritone paradox
- Aesthetics of music
- Bioacoustics
- Ethnomusicology
- Hearing
- Melodic intonation therapy
- Music education
- Music therapy
- Musical acoustics
- Musicology
- Neurologic music therapy
- Neuronal encoding of sound
- Performance science
- Philosophy of music
- Psychoanalysis and music
- Sociomusicology
- Systematic musicology
- Zoomusicology
- Jamshed Bharucha
- Lola Cuddy
- Robert Cutietta
- Jane W. Davidson
- Irène Deliège
- Diana Deutsch
- Tuomas Eerola
- Henkjan Honing
- David Huron
- Nina Kraus
- Carol L. Krumhansl
- Fred Lerdahl
- Daniel Levitin
- Leonard B. Meyer
- Max Friedrich Meyer
- James Mursell
- Richard Parncutt
- Oliver Sacks
- Carl Seashore
- Max Schoen
- Roger Shepard
- John Sloboda
- Carl Stumpf
- William Forde Thompson
- Sandra Trehub
- Music Perception
- Musicae Scientiae (journal)
- Musicophilia
- Music, Thought, and Feeling
- Psychology of Music (journal)
- The World in Six Songs
- This Is Your Brain on Music
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