Music for Prancing
1957 studio album by Warne Marsh Quartet
Music for Prancing | ||||
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Studio album by Warne Marsh Quartet | ||||
Released | 1957 | |||
Recorded | September 19, 1957 | |||
Studio | Radio Recorders, Los Angeles, CA | |||
Genre | Jazz | |||
Length | 30:47 | |||
Label | Mode MOD-LP 125 | |||
Producer | Red Clyde | |||
Warne Marsh chronology | ||||
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Music for Prancing is an album by saxophonist Warne Marsh recorded in 1957 and originally released on the Mode label.[1][2][3]
Reception
Review scores | |
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Source | Rating |
Allmusic | [4] |
The Penguin Guide to Jazz Recordings | [5] |
The Allmusic review noted "With a reputation as one of the originators of cool jazz, it's ironic that over the years tenor saxophonist Warne Marsh gained a following of musicians mainly associated with the avant-garde, spearheaded by multi-reedist Anthony Braxton. These musicians heard what this disc demonstrates: that cool didn't always mean smoothed out".[4]
Track listing
- "You Are Too Beautiful" (Richard Rodgers, Lorenz Hart) – 5:30
- "Autumn in New York" (Vernon Duke) – 4:58
- "Playa del Ray" (Warne Marsh) – 4:59
- "Ad Libido" (Ronnie Ball) – 4:24
- "Everything Happens to Me" (Matt Dennis, Tom Adair) – 6:41
- "It's All Right with Me" (Cole Porter) – 4:15
Personnel
References
- ^ Jazzlists: Mode Records discography accessed May 12, 2017
- ^ Godwin, M. Discography of Warne Marion Marsh accessed May 12, 2017
- ^ Enciclopedia del Jazz: Warne Marsh accessed May 12, 2017
- ^ a b Campbell, Al. Music for Prancing – Review at AllMusic. Retrieved May 12, 2017.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 953. ISBN 978-0-141-03401-0.
- v
- t
- e
Years given are for the recording(s), not first release.
leader
or
co-leader
- Live in Hollywood (1952)
- Lee Konitz with Warne Marsh (1955)
- Jazz of Two Cities (1956)
- Art Pepper with Warne Marsh (1957)
- Music for Prancing (1957)
- The Right Combination (and Joe Albany, 1957)
- Warne Marsh (1957–58)
- The Art of Improvising (1959)/Live at the Half Note (Lee Konitz, 1959)
- Ne Plus Ultra (1969)
- Report of the 1st Annual Symposium on Relaxed Improvisation (Clare Fischer, Gary Foster, 1972)
- The Unissued 1975 Copenhagen Studio Recordings (December 28, 1975)
- The Unissued Copenhagen Studio Recordings (December 29, 1975)
- Warne Marsh Quintet: Jazz Exchange Vol. 1 (and Lee Konitz, 1975)
- Live at the Montmartre Club: Jazz Exchange Vol. 2 (and Lee Konitz, 1975)
- Warne Marsh Lee Konitz: Jazz Exchange Vol. 3 (and Lee Konitz, 1975)
- All Music (1976)
- Lee Konitz Meets Warne Marsh Again (1976)
- Tenor Gladness (and Lew Tabackin, 1976)
- Warne Out (1977)
- Apogee (and Pete Christlieb, 1978)
- Conversations with Warne Volume 1 (and Pete Christlieb, 1978)
- Conversations with Warne Volume 2 (and Pete Christlieb, 1978)
- How Deep, How High (and Sal Mosca, 1976–79)
- I Remember You... (and Karin Krog, Red Mitchell, 1980)
- Star Highs (1982)
- A Ballad Album (1983)
- Ballad for You (and Susan Chen, 1985)
- Posthumous/Newly Warne (1985)
- Warne Marsh & Susan Chen (1985–86)
- Back Home (1986)
- Two Days in the Life of... (1987)
others
- Blues for a Reason (Chet Baker, 1984)
- Crosscurrents (Bill Evans, 1977)
- Thesaurus (Clare Fischer, 1968)
- Subconscious-Lee (Lee Konitz, 1949–50)
- Lee Konitz Meets Jimmy Giuffre (1959)