Lydian cadence
Musical cadence popular in the 14th century
A Lydian cadence is a type of half cadence that was popular in the Ars nova style of the 14th and early 15th century. It is so-called because it evokes the Lydian mode based on its final chord as a tonic, and may be construed with the chord symbols VII♯6
3-I (if the final is taken as a Lydian-mode tonic) or III6
3-IV (if the final is taken as a in major). It is also the most common type of double-leading-tone cadence, as it contains two leading-tone resolutions (♯- and -). A frequently-used type of Landini cadence is based on the Lydian cadence, with the upper voice dropping to before skipping back up to the tonic.
- v
- t
- e
Cadences
- Andalusian
- Backdoor progression
- Cadenza
- Corelli
- English
- Landini
- Lydian
- Picardy third
- Turnaround
- ♭VII–V7 cadence
This music theory article is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e