James Collinson
James Collinson (9 May 1825 – 24 January 1881) was a Victorian painter who was a member of the Pre-Raphaelite Brotherhood from 1848 to 1850.
Life
He was born at Mansfield, Nottinghamshire and was the son of a bookseller. He entered the Royal Academy Schools, and was a fellow-student of Holman Hunt, and Dante Gabriel Rossetti.[1]
Collinson was a devout Christian who was attracted to the devotional and high church aspects of Pre-Raphaelitism. A convert to Catholicism, Collinson reverted to high Anglicanism in order to marry Christina Rossetti, but his conscience forced his return to Catholicism and the ending of the engagement. This had a profound aspect on Rossetti's work, Collinson's departure influencing a great many of her poems. When Millais' painting Christ in the House of his Parents was accused of blasphemy, Collinson resigned from the Brotherhood in the belief that it was bringing the Christian religion into disrepute.
During his period as a Pre-Raphaelite, Collinson contributed a long devotional poem to The Germ and produced a number of religious works, most importantly The Renunciation of St. Elizabeth of Hungary (1850). After his resignation Collinson trained for the priesthood at a Jesuit college, but did not complete his studies.
In 1858, he married Eliza Wheeler, one of the sisters-in-law of the painter John Rogers Herbert, an early influence on the Pre-Raphaelites. Returning to his artistic career he painted a number of secular genre paintings, the best-known of which are To Let and For Sale, both of which lightheartedly depict pretty women in situations that suggest moral temptation.
He was secretary of the Society of British Artists from 1861 to 1870. In the latter part of his life he lived in Brittany, where he painted The Holy Family (1878). He died in April 1881.[1]
Gallery
- The Sisters (c. 1860)
- The Empty Purse (1857)
- Mother and Child by a Stile, with Culver Cliff, Isle of Wight, in the Distance (1849)
- The Renunciation of St. Elizabeth of Hungary (1850)
- Too Hot, print after Collinson, from Illustrated London News (February 28, 1863)
See also
- List of Pre-Raphaelite paintings - including the work of James Collinson.
References
- ^ a b Cust 1887.
- Attribution
- This article incorporates text from a publication now in the public domain: Cust, Lionel Henry (1887). "Collinson, James". In Stephen, Leslie (ed.). Dictionary of National Biography. Vol. 11. London: Smith, Elder & Co. pp. 381–382.
External links
Media related to James Collinson at Wikimedia Commons
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well-known
works
(period and
post-period)
- Ophelia
- Christ in the House of His Parents
- A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
- Ecce Ancilla Domini
- Mariana
- The Light of the World
- Our English Coasts ('Strayed Sheep')
- The Scapegoat
- Paolo and Francesca da Rimini
- The Last of England
- Work
- The Awakening Conscience
- The Hireling Shepherd
- April Love
- Found
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- Lady Lilith
- Roman Widow
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- The Finding of the Saviour in the Temple
- Morgan le Fay
- Beata Beatrix
- The Shadow of Death
- Proserpine
- A Vision of Fiammetta
- Pygmalion and the Image series
- The Beloved
- Cymon and Iphigenia
- King Cophetua and the Beggar Maid
- The Day Dream
- The Golden Stairs
- Dante and Beatrice
- Love's Messenger
- The Magic Circle
- The Legend of Briar Rose
- The Lady of Shalott (Waterhouse)
- The Roses of Heliogabalus
- Lilith
- Eos
- Flaming June
- Hope
- Hylas and the Nymphs
- Lady Godiva
- The Love Potion
- The Lady of Shalott (Hunt)
- I Am Half-Sick of Shadows, Said the Lady of Shalott
- The Germ
- Hogarth Club
- Morris & Co.
- Rossetti and His Circle (1922 book)
- Dante's Inferno (1967 film)
- The Love School (1975 series)
- Desperate Romantics (2009 series)
- Effie Gray (2014 film)