Ennio Flaiano
Ennio Flaiano | |
---|---|
Born | (1910-03-05)5 March 1910 Pescara, Kingdom of Italy |
Died | 20 November 1972(1972-11-20) (aged 62) Rome, Italy |
Occupation | Writer, screenwriter, journalist |
Genre | Scripts, diary, fiction |
Literary movement | Neorealism, modern humorism |
Spouse | Rosetta Rota |
Children | Lelè (Luisa) |
Ennio Flaiano (5 March 1910 – 20 November 1972) was an Italian screenwriter, playwright, novelist, journalist, and drama critic. Best known for his work with Federico Fellini, Flaiano co-wrote ten screenplays with the Italian director, including La Strada (1954), La Dolce Vita (1960), and 8½ (1963).
Life and career
Flaiano was born in Pescara. He wrote for Cineillustrato, Oggi, Il Mondo, Il Corriere della Sera, Omnibus, and other prominent Italian newspapers and magazines.[1] In 1947, he won the Strega Prize for his novel, Tempo di uccidere (variously translated as Miriam, A Time to Kill, and The Short Cut). Set in the Italian Eritrea during the Italian invasion of Ethiopia that started the Second Italo-Ethiopian War (1935–1936), the novel tells the story of an Italian officer who rapes and subsequently kills an Eritrean woman and is then tormented by the memory of his act. The barren landscape around the protagonist hints at an interior emptiness and meaninglessness. This is one of a growing number of Italian literary works facing up to the misdeeds of Italian colonialism in Eastern Africa. The novel has been continuously in print for sixty years. A movie adaptation with the same title, directed by Giuliano Montaldo and starring Nicolas Cage, was released in 1989.
In 1971, Flaiano suffered a first heart attack, and wrote in his notes: "All will have to change." He put his many papers in order and published them, although the major part of his memoirs were published posthumously. In November 1972, he began writing various autobiographical pieces for Corriere della Sera. On 20 November 1972, while at a clinic for a check-up, he suffered a second cardiac arrest and died. His daughter Lelè, after a long illness, died at age 40 in 1992. His wife Rosetta Rota, a mathematician and the aunt of mathematician Gian-Carlo Rota, died in 2003.[2] The entire family is buried together at the Maccarese Cemetery, near Rome.
Flaiano and Rome
Flaiano's name is indissolubly tied to Rome, a city he loved and hated, as he was a caustic witness to its urban evolutions and debacles, its vices and its virtues. In La Solitudine del Satiro, Flaiano left numerous passages relating to his Rome. In the Montesacro quarter of Rome, the LABit theatre company placed a commemorative plaque on the facade of the house where he lived from 1952. Critic Richard Eder wrote in Newsday: "To read the late Ennio Flaiano is to imagine a bust of Ovid or Martial, placed in a piazza in Rome and smiling above a traffic jam. In his antic, melancholy irony, Flaiano wrote as if he were time itself, satirizing the present moment."
Literary style
A fine and ironic moralist, at once tragic and bitter, Flaiano produced narrative works and other prose writings permeated by an original satiric vein and by a vivid sense of the grotesque through which he stigmatised the paradoxical aspects of contemporary reality. He introduced the expression saltare sul carro del vincitore ("to jump on the winner's chariot") into the Italian language.[citation needed]
In the last section of his book, The Via Veneto Papers, journalist Giulio Villa Santa included an interview with Flaiano for Swiss-Italian Radio, two weeks before his death. The interview concluded as follows:
Villa Santa: This evening it seems to me, Flaiano, that you have opened yourself up as perhaps you have never done before, that you have revealed an anguish and above all a faith behind your humour. But this gives rise to the suspicion in me that at bottom you are a man from another period if not from another age altogether; is that an unfounded suspicion?
Flaiano: It's a legitimate one. We don’t know who we are, we are just so many passengers without baggage, we are born alone and we die alone. A writer once quoted me in a book of hers, and in the English translation the English writer translated my name as Ennius Flaianus, thinking that this Ennio Flaiano was some Latin author. A few months later we met each other in a restaurant in Rome and were introduced and, naturally, she experienced an awkward moment, for she didn’t think that this ancient writer was still alive. However, we did agree that certain characteristics of my person, a certain style of life, indicated that she was right. I perhaps was not of this age, am not of this age. Perhaps I belong to another world: I feel myself more in harmony when I read Juvenal, Martial, Catullus. It's probable that I’m an ancient Roman who is still here, forgotten by history, to write about the things that the others wrote about far better than I – namely, let me repeat, Catullus, Martial, Juvenal. (p. 251)
Flaiano Prize
In 1975, the Flaiano Prize was created in his honour. Recognizing achievement in cinema, theatre, creative writing, and literary criticism, the international prize is awarded annually in Flaiano's hometown of Pescara.
Quotations
Flaiano was known for his quotations, including "Chastity is the mirage of obscene people", "I got so upset I couldn't sleep the whole afternoon", "If the peoples knew each other better, they would hate each other more", "In thirty years time Italy won't be like its governments intended, but as its TV dictated", "Remorse used to come afterwards in my love stories; now it goes before me", "Italians are always ready to run to the rescue of the winners", and "Italy is the country where the shortest line between two points is an arabesque." Perhaps his most well-known quotation is often misattributed to both Winston Churchill and Flaiano himself. Flaiano wrote: "In Italy, fascists divide themselves into two categories: fascists and antifascists."[3][4] The real author of this quotation was Mino Maccari, and Flaiano himself was in fact attributing it to him.[5][6]
Works
- La guerra spiegata ai poveri (1946)
- Tempo di uccidere (1947)
- The Short Cut (The Marlboro Press, 1994 new ed.)
- Diario notturno (1956)
- La donna nell'armadio (1958)
- Una e una notte (1959)
- Il gioco e il massacro (1970)
- Un marziano a Roma (1971)
- Le ombre bianche (1972)
- La solitudine del satiro (posthumous, 1973)
- The Via Veneto Papers (The Marlboro Press, 1992)
- Autobiografia del blu di Prussia (posthumous, 1974)
- Diario degli errori (1977)
Filmography
Flaiano was a successful screenwriter and collaborated on several notable films, including Rome, Open City (1946), Guardie e ladri (1951), The Woman of Rome (1954), Peccato che sia una canaglia (1955), La notte (1961), Fantasmi a Roma (1961), La decima vittima (1965), La cagna (1972). With Tullio Pinelli, he co-wrote the screenplays for ten films by Federico Fellini: Variety Lights (1950), The White Sheik (1952), I vitelloni (1953), La strada (1954), Il bidone (1955), Nights of Cabiria (1957), La Dolce Vita (1960), The Temptations of Doctor Antonio episode in Boccaccio '70 (1962), 8½ (1963), and Juliet of the Spirits (1965).[7]
References
- ^ Marisa S. Trubiano (2000). "Ennio Flaiano: A Journalist in Rome". Italian Culture. 18 (2): 195–210. doi:10.1179/itc.2000.18.2.195. S2CID 144624428.
- ^ Fabrizio Palombi (2011). The Star and the Whole: Gian-Carlo Rota on Mathematics and Phenomenology. CRC Press. pp. 6–7. ISBN 9781568815831.
[Rota's] aunt, Rosetta Rota (1911–2003), was a mathematician associated with the renowned Rome university Institute of Physics in Via Panisperna ... .
- ^ Quoted in Oriana Fallaci's four-page essay titled "The Rage and the Pride", Corriere della Sera, 29 September 2001.
- ^ Culicchia, Giuseppe (5 July 2023). "L'ultimo paradosso di Flaiano: ieri ci ha raccontato l'oggi". HuffPost Italia (in Italian). Retrieved 4 June 2024.
- ^ Quoted in Ennio Flaiano, La solitudine del satiro, Rizzoli, Milan, 1973. Also quoted in Indro Montanelli, "Introduzione", Ricordi sott'odio, Rizzoli, Milan, 2011, p. VII. ISBN 978-88-17-04963-4
- ^ Micheletti, Gustavo (4 November 2019). "Ennio Flaiano, i fascisti e gli antifascisti sedicenti". L'Opinione delle Libertà (in Italian). Retrieved 4 June 2024.
- ^ Peter Bondanella, The Cinema of Federico Fellini, Princeton University Press, 1992, pp. 337–340.
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- 1947 Ennio Flaiano
- 1948 Vincenzo Cardarelli
- 1949 Giovanni Battista Angioletti
- 1950 Cesare Pavese
- 1951 Corrado Alvaro
- 1952 Alberto Moravia
- 1953 Massimo Bontempelli
- 1954 Mario Soldati
- 1955 Giovanni Comisso
- 1956 Giorgio Bassani
- 1957 Elsa Morante
- 1958 Dino Buzzati
- 1959 Giuseppe Tomasi di Lampedusa
- 1960 Carlo Cassola
- 1961 Raffaele La Capria
- 1962 Mario Tobino
- 1963 Natalia Ginzburg
- 1964 Giovanni Arpino
- 1965 Paolo Volponi
- 1966 Michele Prisco
- 1967 Anna Maria Ortese
- 1968 Alberto Bevilacqua
- 1969 Lalla Romano
- 1970 Guido Piovene
- 1971 Raffaello Brignetti
- 1972 Giuseppe Dessì
- 1973 Manlio Cancogni
- 1974 Guglielmo Petroni
- 1975 Tommaso Landolfi
- 1976 Fausta Cialente
- 1977 Fulvio Tomizza
- 1978 Ferdinando Camon
- 1979 Primo Levi
- 1980 Vittorio Gorresio
- 1981 Umberto Eco
- 1982 Goffredo Parise
- 1983 Mario Pomilio
- 1984 Pietro Citati
- 1985 Carlo Sgorlon
- 1986 Maria Bellonci
- 1987 Stanislao Nievo
- 1988 Gesualdo Bufalino
- 1989 Giuseppe Pontiggia
- 1990 Sebastiano Vassalli
- 1991 Paolo Volponi
- 1992 Vincenzo Consolo
- 1993 Domenico Rea
- 1994 Giorgio Montefoschi
- 1995 Mariateresa Di Lascia
- 1996 Alessandro Barbero
- 1997 Claudio Magris
- 1998 Enzo Siciliano
- 1999 Dacia Maraini
- 2000 Ernesto Ferrero
- 2001 Domenico Starnone
- 2002 Margaret Mazzantini
- 2003 Melania Gaia Mazzucco
- 2004 Ugo Riccarelli
- 2005 Maurizio Maggiani
- 2006 Sandro Veronesi
- 2007 Niccolò Ammaniti
- 2008 Paolo Giordano
- 2009 Tiziano Scarpa
- 2010 Antonio Pennacchi
- 2011 Edoardo Nesi
- 2012 Alessandro Piperno
- 2013 Walter Siti
- 2014 Francesco Piccolo
- 2015 Nicola Lagioia
- 2016 Edoardo Albinati
- 2017 Paolo Cognetti
- 2018 Helena Janeczek
- 2019 Antonio Scurati
- 2020 Sandro Veronesi
- 2021 Emanuele Trevi
- 2022 Mario Desiati