Antonio Sant'Elia
Antonio Sant'Elia | |
---|---|
Antonio Sant'Elia in his twenties in Milan, c. 1908-16 | |
Born | (1888-04-30)30 April 1888 Como, Lombardy |
Died | 10 October 1916(1916-10-10) (aged 28) Gorizia, Friuli-Venezia Giulia |
Nationality | Italian |
Occupation | architect |
Antonio Sant'Elia (Italian pronunciation: [anˈtɔːnjo santeˈliːa]; 30 April 1888 – 10 October 1916) was an Italian architect and a key member of the Futurist movement in architecture. He left behind almost no completed works of architecture and is primarily remembered for his bold sketches and influence on modern architecture.[1]
Early years
Antonio Sant'Elia was born in Como, Lombardy. A builder by training, he studied at the Brera Academy in Milan with Giuseppe Mentessi, and then at the University of Bologna, where he graduated in architecture in 1912.[2] The same year, he opened a design office in Milan and became involved with the Futurist movement after meeting with Filippo Tommaso Marinetti.
Writing
The Manifesto of Futurist Architecture was published in Lacerba in August 1914. It has been attributed to Sant'Elia, though some historians dispute this.[3] In it, the author states that "The decorative value of Futurist architecture depends solely on the use and original arrangement of raw or bare or violently colored materials".[4] Sant'Elia's vision consisted in an industrialized and mechanized city of the future, which he saw not as a conglomerate of individual buildings but a vast, multi-level, interconnected and integrated urban conurbation designed around the "life" of the city.
Work
Between 1912 and 1914, influenced by the United States urban landscape as well as by architects such as Otto Wagner,[5] Adolf Loos, and Renzo Picasso, Sant'Elia started working on a series of sketches for a futurist "Città Nuova" ("New City") designed to symbolize a new age. Many of his drawings were exhibited at the only show of the Nuove Tendenze group (of which he was a member) in May-June 1914 at the Famiglia Artistica gallery in Milan. Today, about 170 of his works on paper are on permanent display as part of the collection of Pinacoteca Civica di Palazzo Volpi, Como.[6] Sant'Elia's work featured vast monolithic skyscraper buildings with terraces, bridges and aerial walkways that embodied the sheer excitement of modern architecture and technology. His monumentalism, however, was also influenced by Art Nouveau architect Giuseppe Sommaruga.[7]
A nationalist as well as an irredentist, Sant'Elia, together with other futurists such as Mario Sironi, Umberto Boccioni and Marinetti, joined the Italian army as Italy entered World War I in 1915. Sant'Elia was killed during the Eighth Battle of the Isonzo, near Gorizia, in 1916.
Legacy
Sant'Elia left behind very few examples of his architecture work. Among those are Villa Elisi in San Maurizio (nowadays a subdivision of Brunate), and a War Memorial in Como. The latter was completed by Giuseppe Terragni in 1933.[8] Though most of Sant'Elia's designs were never realized, his utopian vision turned out to be quite influential for generations to come. Sant'Elia is often cited as a precursor to architects such as John Portman and Helmut Jahn.[1] The production design of dystopian films like Fritz Lang's 1927 Metropolis and Ridley Scott's 1982 Hollywood movie Blade Runner is also indebted to Sant'Elia's ideas.[9]
Works
- La Città Nuova, 1914
Image gallery
- Power station (1914)
- House with external elevators (1914)
- Drawing (1914)
- Drawing (1914)
- Perspective drawing from La Città Nuova, 1914
See also
References
- ^ a b Goldberger, Paul (21 February 1986). "ARCHITECTURE: ANTONIO SANT'ELIA". The New York Times. Retrieved 13 October 2015.
- ^ "Sant'Elìa, Antonio nell'Enciclopedia Treccani". www.treccani.it. Retrieved 13 May 2023.
- ^ "Antonio Sant'Elia: Manifesto of Futurist Architecture". 1 May 2020. Retrieved 13 May 2023.
- ^ See point 4 ho "Proclama" section of Manifesto of Futurist Architecture ("Manifesto of Futurist Architecture". Retrieved 11 March 2016. )
- ^ Harry Mallgrave (1996). Otto Wagner: Reflections on the Raiment of Modernity. Getty Publications. p. 145. ISBN 9780892362585.
- ^ McGarrigle, Niall (12 March 2016). "The Futurist world of architect Antonio Sant'Elia". The Irish Times. Retrieved 12 April 2017.
- ^ Futurist architecture and Angiolo Mazzoni’s manifesto of aerial architecture, published in VV.AA. Angiolo Mazzoni e l'Architettura Futurista - p.11
- ^ Arrighi, Di Laura (25 March 2018). "Sant'Elia architetto visionario". ELLE Decor. Retrieved 13 May 2023.
- ^ "Green Energy". Irish Arts Review. Retrieved March 11, 2016.
Bibliography
- (in Italian and English) VV.AA. Angiolo Mazzoni e l'Architettura Futurista, Supplement of CE.S.A.R. September/December 2008 (Available at "CEntro Studi Architettura Razionalista - Research centre for rationalist architecture - Notebooks". Archived from the original on 11 March 2016. Retrieved 11 March 2016.) (Also at "njema.weebly.com" (PDF). Retrieved 4 February 2018.)
- Riccardo Rosati, ‘Antonio Sant’Elia e il contributo del futurismo italiano in Metropolis e Akira’, Manga Academica, 13, 9-34, 2020.
External links
- Website in Italian
- Manifesto of Futurist Architecture
- v
- t
- e
- Giacomo Balla (list of works)
- "Barbara"
- Umberto Boccioni
- Anton Bragaglia
- Benedetta Cappa
- Carlo Carrà
- Franco Casavola
- Nikolay Diulgheroff
- Luigi De Giudici
- F. T. Marinetti
- Marisa Mori
- Bruno Munari
- Aldo Palazzeschi
- Ugo Piatti
- Francesco Balilla Pratella
- Antonio Russolo
- Luigi Russolo
- Antonio Sant'Elia
- Gino Severini
- Ardengo Soffici
Cubo-Futurists
- Alexander Archipenko
- Nikolai Aseev
- Vladimir Baranoff-Rossine
- Lilya Brik
- Osip Brik
- Alexander Bogomazov
- Kseniya Boguslavskaya
- David Burliuk
- Vladimir Burliuk
- Joseph Chaikov
- Aleksandra Ekster
- Nina Genke-Meller
- Natalia Goncharova
- Elena Guro
- Vasily Kamensky
- Velimir Khlebnikov
- Ivan Kliun
- Aleksei Kruchyonykh
- Nikolai Kulbin
- Mikhail Larionov
- Aristarkh Lentulov
- El Lissitzky
- Benedikt Livshits
- Kazimir Malevich
- Mikhail Matyushin
- Vladimir Mayakovsky
- Boris Pasternak
- Victor Palmov
- Lyubov Popova
- Ivan Puni
- Olga Rozanova
- Vadim Shershenevich
- Nadezhda Udaltsova
- Ilia Zdanevich (Iliazd)
and inventions
- Anti-neutral suit
- Intonarumori
- Italian futurism in cinema
- Futurist architecture
- Futurist cooking
- Futurist literature
- Futurist music
- Noise music
- Zaum
- Abstract Speed + Sound
- Antigrazioso
- The Art of Noises
- BÏF§ZF+18
- The City Rises
- Cyclist
- Development of a Bottle in Space
- Drama in the Futurists' Cabaret No. 13
- Dyr bul shchyl
- Dynamism of a Car
- Dynamism of a Cyclist
- Dynamism of a Dog on a Leash
- Dynamism of a Human Body: Boxer
- Dynamism of a Soccer Player
- Dynamism of a Speeding Horse + Houses
- Futurist Painting: Technical Manifesto
- The Knifegrinder
- Girl Running on a Balcony
- The Hand of the Violinist
- Lacerba
- Manifesto of Futurism
- Manifesto of Futurist Musicians
- Mercury Passing Before the Sun
- The Poem of the End
- Poesia
- The Street Enters the House
- The Street Light
- Thaïs
- Tango with Cows
- Unique Forms of Continuity in Space
- Universal War
- Victory over the Sun
- Vladimir Mayakovsky
- Zangezi
- Zang Tumb Tumb
- Agitprop
- Agit-train
- Constructivism
- Dadaism
- Donkey's Tail
- Grosvenor School
- Jack of Diamonds
- Neo-Primitivism
- Oberiu
- Panfuturism
- Precisionism
- Rayonism
- Soyuz Molodyozhi
- Suprematism
- Supremus
- Vorticism