Allegory of Painting and Sculpture
Painting by Guercino
Allegory of Painting and Sculpture is a 1637 oil-on-canvas painting by the Italian Baroque artist Guercino, which was part of the Colonna collection until 1802 and then in 1892 formed part of the Torlonia donation to the Galleria Nazionale d'Arte Antica in Rome, where it still resides.[1]
References
- ^ (in Italian) "Catalogue entry".
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Guercino
- Saint Joseph's Dream (c. 1600–1650)
- Moonlit Landscape (c. 1616)
- Country Concert (c. 1617)
- Et in Arcadia ego (c. 1618–1622)
- The Raising of Lazarus (1619)
- Jacob Blessing the Sons of Joseph (1620)
- Saint Matthew and the Angel (1621–1622)
- Assumption (c. 1623)
- The Burial of St. Petronilla (c. 1623)
- The Death of Dido (1631)
- Venus, Cupid and Mars (1633)
- Cato of Utica Bidding Farewell to his Son (1635)
- Allegory of Painting and Sculpture (1637)
- Saint Jerome (c. 1640–1650)
- The Suicide of Cato (1641)
- Hersilia Separating Romulus and Tatius (1645)
- Annunciation (1646)
- Circumcision of Christ (1646)
- Christ Crowned with Thorns (1647)
- The Persian Sibyl (1647)
- The Dying Cleopatra (c. 1648)
- Susannah and the Elders (1650)
- The Libyan Sibyl (1651)
- The Martyrdom of Saint Catherine (1653)
- Samson and Delilah (1654)
- Abraham Casting out Hagar and Ishmael (1657)
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